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The general consensus was that the characters were self-centered and awful-but also human and relatable-who often adhered to misguided philosophies and beliefs that were based on their character’s motivations and background. There are a lot of shows ( Rick & Morty) that get pegged-often unfairly-as having a “toxic fanbase,” and surprisingly, Sunny never really fell into that category. I, as a viewer, didn’t care about button and boundary pushing, I only cared that the show was funny, and that it respected its audience. Many people felt It’s Always Sunny was trying to be shocking early on, tackling issues like racism and abortion right out of the gate.
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Granted, that’s not a wholly inaccurate description, especially considering two of the main characters have struggled (infrequently) with crack addiction since the second season, but it doesn’t really express the vibe It’s Always Sunny strove for early on.Ī lot of critics-as we are wont to do-felt the need to dissect the show’s intent. When it premiered way back in 2005, it was awkwardly described as “ Seinfeld on crack” (I have the DVD box art to prove it). I have a ton of shows jockeying for the title, with Seinfeld, Community, NewsRadio, Cheers, Fleabag, and Schitt’s Creek all in the running, but if I could only watch one sitcom for the rest of my life I’d most likely chose It’s Always Sunny in Philadelphia. If I had to pick my favorite live action sitcom of all time, I’d be pretty hard pressed to single one out.